Roundtable

An encounter with Framasoft

Founded some twenty years ago, Framasoft has made a major contribution to raising the profile of free software in France and the French-speaking world, initially through its free software (…)

Anti-Colonial Tech through Resistance and Discomforts @ Transmediale

Constant joined its friends and comrades from the Translocal Pipas Club for a panel at the 2024 edition of Transmediale Festival in Berlin. This public conversation wanted to bring together a (…)

Can technology be feminist?

Femke nam deel aan het rondetafel-gesprek: "Can technology be feminist?", waarmee het colloquium "From Cyborgs to Facebook: Technological dreams and feminist critiques" afrondde. Het evenment (…)

Can technology be feminist?

Femke participate à la table ronde "Can technology be feminist?" qui conclue le colloque "From Cyborgs to Facebook: Technological dreams and feminist critiques". L’événement est organisé par (…)

Can technology be feminist?

Femke participates in a roundtable: "Can technology be feminist?" which concludes the colloque "From Cyborgs to Facebook: Technological dreams and feminist critiques". The event is organised by (…)

Design of the confiscation

Is it still possible to make websites that look like us? During the round table with members of Open Source Publishing, Speculoos, Variable, Atelier Cartographique, several designers and (…)

Facial recognition: how to avoid it?

A round table with Remy Farge (LDH - Ligue des droits humains), Peggy Pierrot (Tactic), Chloe Berthelemy (EDRi - European Digital Rights) and Corentin (Technopolice). Recently, a data leak (…)

Naive Bayes raconte

An Mertens experiments with forms that reveal the identity of algorithms. For this lecture-performance she takes on the "Bayesian naive classifier", an algorithm widely used to sort spam in our (…)

SICV @ Transmediale

Constant members Michael Murtaugh and Nicolas Malevé share their archive activism experiences during the panel discussion at Transmediale, Berlin. ’Archive, Curate, Educate: Active Media Arts’ (…)