Geprogrammeerde veroudering is een werksessie met drie titels over de verweven veroudering van lichamen en technologieën. De levensloop van mensen, dieren en machines is met elkaar verknoopt via elektronische circuits met beperkte levensduur: accessoires die bioritmes of de groei van specimens meten, interactieve medische implantaten, genetwerkte pacemakers en draadloze defibrillators zijn een alledaagse realiteit. De veroudering van biologische en technologische processen versmelt en het is niet altijd duidelijk of we met fysieke of met geprogrammeerde obsoletie te maken hebben.
A list of references to moving images, videos, films was made available before the worksession and updated along the way.
Helen Pritchard proposed a set of reading materials: http://constantvzw.org/AgeingCompanions/readingcompanion.pdf
Matthias Pitscher, Azahara Ubera Biedma, Anja Hertenberger, Marije Baalman, Rebecca Louise Breuer, Riek Sijbring, Fanny Zaman, Blanca Callen, Laura Benitez, Konstantin Mitrokhov, Maria Dada, Helen Pritchard, Claudia Borges, Joana Chicau, Lionel Broye, Constanza, Emile Devereaux, Andrea Charise, Kristin Neidlinger, Anne-Laure Buisson, Donatella Portoghese, Femke Snelting, Gregor, Jara Rocha, Martino Morandi, Peter Westenberg, Wendy Van Wynsberghe, Zoumana Méïté
https://pad.constantvzw.org/p/geprogrammeerdeveroudering.programme
What would you write in a loveletter to the device you feel most intimate with? How to touch the room and make others touch it? How to move with different attachments?
During a visit to the IMEC tower in Leuven we were toured along the ‘cleanrooms’ by Thomas Kallstenius followed by an on-line conversation with Eduard Marin on pacemaker security, and a reading session provoked by Helen Pritchard. The cleanroom visit was ‘confidential’ so there are no pictures or recordings from this visit.
Film programme within the framework of senior cinema Pianorama. With care robots, digital grandmothers and hybrid animals. Cake, coffee and discussion included!
Performer and theater-maker Zoumana Meite proposed a workshop on device-related blot patterns.
A public performance on Saturday afternoon. Zoumana performed with electromagnetic devices to explore what old ideas of ’soul’ these so-called new technologies might carry. Using his observations from participating in the worksession, he moved with radio-waves, ink-drops and the memories of his own body.
I form the vision of a black ink drop falling in my eye, bringing a recollection of the possible. I see each and every hesitation, trembling, shaking like an oscillography of my flesh, magnetically charged. Those objectivised vibrations in front of us are spread and spattered spores, generating other hesitations, doubts, … slides of an oriented gesture. I partially charge my flesh with a strong craving, something obsessing me. I gather liquid from my liver on blottingpaper. Drops of an (id)entity …
Is it worth it? Let me work it
I put my thing down, flip it and reverse it
Ti esrever dna ti pilf, nwod gniht ym tup
Ti esrever dna ti pilf, nwod gniht ym tup
If you got a big, let me search ya
And find out how hard I gotta work ya
Ti esrever dna ti pilf, nwod gniht ym tup
Ti esrever dna ti pilf, nwod gniht ym tup
(Missy Elliott)
Fanny Zaman, sound recording of the practice “A ball full of water”: https://soundcloud.com/user-329152928/a-ball-full-of-water