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2016
Deadline: 12 September
DiVersions is inspired by the way versions are inscribed in daily software-practice, and explores how parallel to their conventional narrative of collaboration and (…)
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2019
Opening and publication launch: Thursday 10 October 18:00 - 21:00
DiVersions experiments with online collections of cultural institutions as sites for decolonial and intersectional practice. (…)
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2020
In seven on-line installations, artists show how digital collections of cultural institutions could welcome very different and even opposing views. Decolonial and intersectional perspectives call (…)
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2020
Here: https://bbb.constantvzw.org/b/fem-rzq-99g
DiVersions engaged with the potential of on-line cultural heritage for welcoming various forms of collaboration, allowing conflicts to show up, (…)
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2017
DiVersions took place from 4 to 11 December 2016 and was inspired by the way versions are inscribed in daily software-practice. With 35 participants we explored how we could produce divergent (…)
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2016
Constant started its worksession DiVersions with an afternoon in the Royal Museum for Art and History. Inspired by the way versions are embedded in the daily practice of software-development, we (…)
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2021
Second version of a digital and printed publication with new and reworked contributions by among others Rahel Aima, Anaïs Berck, Gert Biesta, Z. Blace, Daniel Blanga Gubbay, Cristina Cochior, (…)
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2019
Debate organised by VIAA/PACKED in the context of DiVersions.
Metadata of museal collections are generally thought of as static, but in reality they often include a degree of uncertainty or are (…)
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2020
Following from a discussion that took place in the framework of DiVersions in Pianofabriek in October 2019, participants in Algolit and Mondotheque have tried over the last few months to address a (…)
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2020
The website of Books with an Attitude has been updated with the 2019 publications of Constant and friends. Feel free to discover the catalogues of Constant_V, Diversions and Data Workers; and the (…)