Authors of the Future

Introduction and welcome

RecordingAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Presentations

Severine Dusollier (SciencesPo, Paris)
Inclusive Copyright
RecordingAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Aymeric Mansoux (XPUB, Rotterdam)
Free Only-if
RecordingAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Eva Weinmayr (Pirate Library/And-And Publishing, London)
Situated collective authorship
RecordingAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Daniel Blanga Gubbay (KFDA, Brussels)
Potential authorship
RecordingAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Discussion

Speculative license writing

Group 1 (Eva Weinmayr, Severine Dusollier, Donatella Portoghese, Manetta Berends, Wendy Van Wynsberghe): notes + discussionAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Group 2 (Daniel Blanga Gubbay, Elodie Mugfreya, An Mertens, Sarah Magnan, Loraine Further, Marjorie Bonnet +1): notes + discussionAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Group 3 Cinéma sauvage (Ayméric Mansoux, Rebecca Fruitman, Joachim Soudan, Peter Westenberg): discussionAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Group 4 (Pierre Huyghebaert, Femke Snelting, Eric Schrijver, Deborah De Robertis): discussionAuthors of the future: Re-imagining Copyleft (2019), Authors of the future

Revisited Open Content Licenses

Licenses selected for the way they render the problems with and omissions of Free Licensing legible:

• The Consumers Dilemma License
• Decolonial Free Media License 0.1
• Non-white heterosexual male license
• Peer Production License
• Free Fermentation License
• Climate Strike Software License

Reader

• Rebecca Giblin, Kimberlee Weatherall (2017) A collection of impossible ideas. in: What if we could reimagine copyright
• Carys Craig (2011) Authorship and conceptions of the self: Feminist theory and the relational author in: Copyright, Communication and Culture
• Severine Dusollier (2006), The Master’s Tools v. The Master’s House: Creative Commons v. Copyright http://www.crid.be/pdf/public/5884.pdf
• Severine Dusollier (2018) Auteur 3.0 – L’évolution des figures de la création à l’ère numérique
• Christopher Kelty (2016), Recursive Publics and Open Access
• Liang, Lawrence (2011), Beyond Representation: The Figure of the Pirate. in: Access to Knowledge in the Age of Intellectual Property p.353-354
• Aymeric Mansoux (2014), My Lawyer is an Artist: Free Culture Licenses as Art Manifestos
• Daniel Blanga Gubbay (2018), Sample!
• Agency (2016), Thing 001652 (Monkey’s Selfies)
• Daniel Montáñez, Juan Vicente Iborra (2019) Los comunes coloniales y la descolonización de la izquierda (The Colonial Commons and the Decolonization of the Left)
• Eva Weinmayr, Eva (2019): “Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice)” in: Janis Jefferies and Sarah Kember (eds.), Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity.
• Joe Karaganis (2018), Access from Above, Access from Below in: Shadow Libraries

Further reading

• Aymeric Mansoux (2016), How deep is your source
• Frank Karlitschek (2019), Aujourd’hui, les licences suffisent-elles ?
• Severine Dusollier (2015) Inclusivity in intellectual property
• Lars Eckstein and Anja Schwarz (eds), Postcolonial Piracy: Media Distribution and Cultural Production in the Global South
• Mélanie Clément Fontaine, Les communautés épistémiques, in M. Cornu, F. Orsi et J. Rochfeld, Dictionnaire des Biens Communs, PUF, 2017.
• Sunimal Mendis (2019), Public open collaborative creation (POCC): A new archetype of authorship?
• Sarah Keenan (2010), Subversive Property: Reshaping malleable spaces of belonging
• Carys J. Craig, Joseph F. Turcotte, Rosemary J. Coombe (2011), What is Feminist About Open Access?: A Relational Approach to Copyright in the Academy
• Sarah Ahmed (1998), Authorship in: Differences That Matter: Feminist Theory and Postmodernism
• Aymeric Mansoux (2017), Sandbox Culture
• Christopher Kelty (2014), Beyond copyright and technology: What Open Access Can Tell Us about Precarity, Authority, Innovation, and Automation in the University Today
• Dubravka Sekulic (2018), On knowledge and stealing in: Funambulist
• Kobe Matthijs (2018), An ecology of practices, in SOTA Almanac
• Florian Cramer (2018), Does the Tragedy of the Commons Repeat Itself as a Tragedy of the Public Domain?
• Eva Weinmayr in conversation with Sarah Kember, Rethinking where the thinking happens (2013)
• Matthew David Rana (2010), Unmarking Equality’s Others: Bernier and Martin’s X&Y vs. France
• Clare Birchall: Shareveillance: The Dangers of Openly Sharing and Covertly Collecting Data (2017)