De werksessie Alchorisma vond plaats van 2 tot 8 december in Z33, Huis voor Actuele Kunst in Hasselt. Alchorisma is een verzonnen woord dat verwijst naar de relaties tussen algoritmes, charisma, ritme, alchemie en karma. Alchorisma probeert panpsychische wereldbeelden te integreren in de ons omringende charismatische technologie. We gingen op zoek naar manieren om bestaande algoritmische modellen te infecteren met filosofieën die het samenleven met niet-menselijke wezens centraal stellen.
Algoritmes hebben hun weg gevonden naar ons alledaagse leven via wiskunde en informatica. Het zijn reeksen van regels, gedragingen of methodes die aan de basis liggen van de softwares die we gebruiken. Algoritmes zijn verstrengeld geraakt met probleemoplossende visies van ingenieurs, en meer recent ook met strategieën van marketeers, patentenverzamelaars en vaak moreel verontrustende procedures voor besluitvorming.
Maar algoritmes beperken zich niet tot machines. Ze zijn inherent aan alle materie, organisch en anorganisch, microscopisch en macroscopisch. Ze beschrijven ook generatieve processen van levende wezens, de vertakking van bomen, bijvoorbeeld, celdelingen of bewegingen van menigten en vloeistoffen.
Zelden zien we de algoritmes zelf, omdat ze ingebed zijn in broncode, wetten uit de natuurkunde of DNA. We zijn wel omringd met hun effecten. Zwijgzame en onzichtbare algoritmes bepalen vaak wat we doen, ze beïnvloeden processen en gedragingen in het menselijk samenleven, economieën en rechtsstelsels. Maar de beïnvloeding is wederzijds, ook wij hebben agency en kunnen hun gedrag en richting mee bepalen. Door bijvoorbeeld de algoritmes van een juridische code te wijzigen, kunnen rivieren, bossen en bergen wettelijke rechten krijgen die hen beschermen tegen menselijke exploitatie (bijv. de erkenning van de Whanganui-rivier als ’persoon’ in Nieuw-Zeeland of de opname van rechten voor de natuur in de grondwet van Ecuador ).
Alchorisma onderzoekt de mogelijkheden om het algoritmische te infecteren, besmetten en transformeren met andere wereldbeelden, die niet exclusief gericht zijn op mensen. Ze wil een gemeenschappelijk werkveld vormen, vanwaaruit algoritmes zich kunnen beginnen bevrijden van strikt optimaliserende concepten.
Werksessie
In de specifieke context van het voormalige begijnhof van Z33, benaderden we het concept van niet-antropocentrische algoritmes door ons vertrouwd te maken met de perspectieven van bomen, stenen en spirits. Elk van deze entiteiten kan een toegang bieden naar een panpsychisch wereldbeeld: een voorstel waarin alle materie een vorm van bewustzijn heeft, waarmee we in dialoog kunnen gaan. Alchorisma zette een collectief proces van samenwerking in gang zetten tussen de deelnemers - mensen, bomen, stenen en spirits, - vanuit archetypes die wijzen op veranderende relaties tussen mensen en de rest van de wereld.
Welke patronen, veranderingen en gedragingen kunnen we ontdekken in dialoog met stenen, bomen en spirits? Welke algoritmes liggen aan de basis van hun eigenschappen, processen en noden? Hoe kunnen we die vertalen naar voor ons leesbare vormen? Op welke manier kunnen die algoritmische modellen (dis)functioneel worden? En hoe kunnen ze ons leren om beter om te gaan met niet-enkel-menselijke entiteiten?
Na het exploreren van algoritmes voor specifieke soorten tijdens de eerste dagen, wilden we samen een algoritmische structuur ontwerpen waarin deze niet-antropocentrische modellen gecombineerd kunnen worden in een generatief ecosysteem. Een soort interconnecterend weefsel of algoritmische samenlevingsruimte. Een plek waar we kunnen samenwerken met spirits, stenen, bomen en andere entiteiten die zich nog aansluiten. We ontwikkelden samen prototypes, modellen en concepten die de verbeelding opentrekken rond alchorismatische algoritmische modellen.
Alchorisma is ontwikkeld in samenwerking met
FoAM, rybn and Z33, House for Contemporary Art in Hasselt, in the context of Z33’s Research Studio Time.
Met de steun van
Domein Bokrijk & Agentschap voor Natuur & Bos.
Met deelname van
Adva Zakai, An Mertens, Anne Adé, Anne-Laure Buisson, Annie Abrahams, Arthur Gouillart, Artyom Kolganov, Axel Meunier, Donatella Portoghese, Erik De Wilde, Femke Snelting, Gaspard Bébié-Valérian, Ils Huyghens, Ingrid Baisier, Isabella Aurora, Jack Boyer, Karin Ulmer, Karin Van Ginneken, Kevin Bartoli, Linda Verplancke, Maeva Borg, Maja Kuzmanovic, Malgorzata Zurada, Marika Dermineur, Marleen Verschueren, Martina Gylsen, Mauro Ricchiuti, Nele De Man, Nik Gaffney, Peter Westenberg, Roberto Simone, Sumugan Sivanesan, Tiina Prittinen, Vesna Manojlovic, Wendy Van Wynsberghe.
Dank aan
Toon Van Daele, Jef Van Meulder, Hans Nickmans, Kathy Melcher, Frank Coppieters, Michèle Meesen.
The detailed programme of the week is here
Some of the main moments of the week are described and documented below.
Marleen Verschueren, Linda Verplancke, Karin Van Ginneken, Martina Gylsen, Nele Deman, Erik De Wilde and Ingrid Baisier, a local shamans collective invited the participants to the world of spirits, with a ritual on the first day of the worksession.
Domein Bokrijk, a domain in the Northeast of Belgium, was once a tenancy farm that belonged to the abbess of Herckenrode. It used to be mainly heather, peat and farmland. Over the years, it has had many different owners, each of which left their mark in different ways: digging ponds for fish farming, planting woodland or converting heathland into farmland. During the 20th century, an Arboretum was installed as well as a museum for trees and shrubs.
Maja Kuzmanovic & Nik Gaffney (FoAM) asked to collect a small stone, pebble or rock fragment during the visit; to put it in our pocket (or somewhere else on our body) and carry it with us at all times during the worksession, and to notice how our relationship with it changes throughout the week.
Hans introduced us to the different types of management that go with the different spaces. For the Arboretum, for example, each species is recorded in a database, from its origin to its moment of death. The forest parts are managed as reserves, nature has its own right, only trees and bushes near the pathways are maintained. In the Open-Air Museum of historical homes, Nick is also working on reintroducing some forgotten varieties of vegetables. The aim of this project is to show the whole evolution of fruits and vegetable growing, based on research using old paintings, descriptions, stories…
We had lunch served by Roberto Simone in the beautiful glass room of Het Groene Huis at the entrance of the Arboretum.
Pines, birches, oaks and beeches were welcoming us in the afternoon. After a silent walk each participant was invited to meet a tree. Afterwards the trees were introduced by their friends to the group.
Maja Kuzmanovic & Nik Gaffney of FoAM explore panpsychism and animism in contemporary techno-materialistic societies. For Alchorisma, FoAM focused on geological substrates of digital technology. From their temporary outpost in Japan, after a Shinto pelgrimage in the Kii-mountains along the Kumano Kodo paths, they invited us for a collective exercise. We worked with attunement as a way to reestablish relationships with geological entities and glacial timescales, to experiment with algorithms to re-confuse binary distinctions between nature and culture, human and non-human, life and death.
The collective RYBN presented their work ADM XI and Data Ghosts as case studies of integrating non-human entities in the algorithmic world. They also proposed a methodology to collectively establish a common syntax (grammar & graphical forms) for the week.
Presentation
Notes:
Tuesday
StonesAlgo
Karin Ulmer presented her experiences and research on The International Tribunal of Mother Earth Rights is an autonomous judicial institution pursuant to the entry into force of the People’s Convention for the Establishment of the International Tribunal of Mother Earth Rights.
Karin is currently working with actalliance.eu, a European development NGO, specialising on EU agricultural and trade policies and global food systems. In this context she has been closely following up on indigenous rights mouvements.
Her overview of recent trends in institutionalizing rights for Mother Earth is a first step to invite Alchorisma into the real world of (EU) politics, economic growth and planetary boundaries. How can Alchorisma work be communicated beyond Constant’s outreach? Can (elements of it) be transposed into ongoing (EU) policy making and processes? What relevance could Alchorism have for the Post-Growth or De-Growth movement?
Slides:
PPTX file
Appendix (PDF)
Sound : play m4a
Every day we started the program at 10h in the candle lit attic of Z33, sitting on meditation cushions or lying down on yoga mats with soft blankets. There we listened to a daily recording by Maja & Nik. Due to the timezone difference with Kyoto/Japan, they consulted our notes, slides and images while we were asleep.
During the week the morning practise was renamed the Echochamber, as Maya & Nik would pick snippets of sentences and thoughts as a base for a mantra style guided meditation.
Tuesday : Play mp3
Wednesday : Play mp3
Thursday : Play mp3
Friday : Play mp3
Saturday : Play mp3
Download all recordings (zip)
Read the transcriptions of the soundfiles
On Tuesday evening, Z33 organized, in the context of the Alchorisma work session, a screening of two films that focus on the themes of magic and spirituality. The two films show how artists respond, in their own way, to our contemporary interaction with elements from the earth and nature.
FOREST LAW (Ursula Biemann & Paulo Tavares - Ecuador / Switzerland – 2014 - 38 min)
NIGHT SOIL - NOCTURNAL GARDENING (Melanie Bonajo - US/NL - Full HD one-channel color video with sound, 49:47 min. Courtesy of the artist & AKINCI.)
Isabella Aurora and Malgorzata Zurada gave an introduction to the notion of ‘techno-magin’ and ‘technoshamanism’,.
Notes
with Anne-Laure Buisson, Axel Meunier, Isabella Aurora, Vesna Manojlovic, Sumugan Sivanesan
“A spiral of concerns about representing faithfully or addressing respectfully
the world out there
the world beneath
and the world within.
Knowledge retrieved from the computer.
Database queried to access numbers.
Numbers entered in the database.
Trees identified by numbers.
Labels nailed on trees.”
with Jack Boyer
The spirit essence listening session is based on photographs that were taken during the trip in the forest. A convolutional neural network trained on these pictures, makes a radiography of a similar but unseen photograph and tries to extract, through many filters, the essence of the spirit as audio sound.
Code
Notes:
Audio:
play tree 1
play tree 2
with Tiina Prittinen
The history of Hasselt and its environment is strongly connected to the history of witches. This is readable in names of places, areas and in folkloric stories that we digged up from the local library.
What followed was a walk along the witch history of Hasselt, guided by stones, trees and intuition.
with Femke Snelting, Annie Abrahams, Kevin Bartoli, Marika Dermineur, Adva Zakai, Vesna Manojlovic, Anne-Laure Buisson
“Queer analytics invites us to wonder together about the potential of microbial, animal, plant, mineral, cosmological technoscience, to situate ourselves in these mundane and alluring scenes, to consider these labours and imagine a collective life otherwise. It asks us to ponder the possibilities and limitations of informatics and to take seriously the affective forces of nonhuman animals and machines. How might we extend queer theories that concern personal injury into more-than-human ensembles, in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?”
with Annie Abrahams, Marika Dermineur
During the week an algorithm worked its way through the building, without the intervention of a machine, in a secret performative way. It never made it to the public performance, because it must have suffered from a bug and stopped half way.
Malgorzata Zurada, Mauro Ricchiuti, An Mertens
In the Bon Bouddhist tradition, the pattern 3-6-9 is considered to be the basis of the primal sounds, that underlie all creations.
The chakra system is composed of 6 ground tones, each is linked to one or two chakras. By using a method of permutations these tones can be unfolded into an infinite healing sound composition.
This thread was a first attempt to combine the theory and sounds in a visual application.
Notes:
frequencies
index of doubts
pendulum protocol
Arthur Gouillart, Gaspard Bébié-Valérian, Artyom Kolganov
One of the local stories about witches in Hasselt includes the fish stone.
This was a stone on the market on which the fresh fish was cut in the Middle Ages and its price was defined by the cutter.
The good parts of the fish were sold, the bad parts were thrown on a dirt heap, that was frequently visited by cats, who were also thought of as witches.
This ritual intended to restore the reputation of the witches, by cutting fish on the fish stone in the garden of the City museum, leaving the best parts for the cats.
Maëva Borg, Isabella Aurora
The Spell Generator allows to create a new language to attract new entities, entities, stuck entities (human or non-human).
The Python script functions as a text generator, using a dictionary of existing spells and recombining them following specific semantic rules.
Adva Zakai, Femke Snelting
"Our bodies will perform a loop.
Sorry. THESE bordies will performe a loop (the bodies we met?)
Start.
We begin with training these bodies.
Strectch the right side of the body
stretch the left side of the body
expend the arms,
let energy flow
bring elasticity into the wrists
curve spine
relax before continuing the training
How to train de tree?
Wake up early, together with the sun.
imagine you see the world from the eye of a bird.
(…)"
On Friday night 7th December 2018 we witnessed the new moon in Sagittarius. As a way to celebrate the beginning of this new moon cycle, we organised an intimate evening of Rituaction in the attic of Z33.
Here is the full program of the night
with Peter Westenberg
with Ils Huyghens
A history of caring and death in the beguinage, linking back to the place where we are. And some fragments of the story of caretaker Polfliet who was a caretaker in the beguinage from the 1940s untill the 70s. The story comes from the book that we came across from the witches research called ‘Stories of dreams and nostalgia’.
Activities throughout the week
Pictures that were used in the research threads of participants
Alchorisma stitchings of worksession by Peter Westenberg
Alchorisma preparations
During the week we used a local server running the notetaking software Etherpad. Here you find an overview of the notes that were taken
For Constant worksessions, we developed the Etherbox, a custom local server infrastructure for collaborative situations. Installed locally and accessible only when physically in Z33.
This time the etherbox was installed by Michael Murtaugh in the attic, connected to the switchpanel of the venue:
We discovered a wonderful tool to trace the routing of ethernet cables throughout the building:
Listen to the mp4
License (unless otherwise noticed): Free Arts License http://artlibre.org/licence/lal/en/