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<item xml:lang="en">
		<title>Splinterfields 3/4: ALOTOF</title>
		<link>https://constantvzw.org/site/Splinterfields-3-4-ALOTOF,2043.html</link>
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		<dc:date>2013-09-23T20:43:41Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>
		<dc:subject>Meeting</dc:subject>

		<description>
&lt;p&gt;La troisi&#232;me rencontre dans la s&#233;rie de Splinterfields est organis&#233; par OKNO. En 2013 OKNO a initi&#233; le projet international de longue dur&#233;e ALOTOF (A Laboratory On The Open Fields), une recherche autour des possibilit&#233;s de cr&#233;ation artistique en plein air. C'est dans ce cadre qu'OKNO invite l'artiste num&#233;rique Shu Lea Cheang pour une r&#233;sidence autour de Seeds Underground. &#194; Depuis les ann&#233;es 90 une &#233;norme quantit&#233; de terrains d'agriculture sont&#194; occup&#233;s par des organismes g&#233;n&#233;tiquement (&#8230;)&lt;/p&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;La troisi&#232;me rencontre dans la s&#233;rie de Splinterfields est organis&#233; par OKNO. En 2013 OKNO a initi&#233; le projet international de longue dur&#233;e ALOTOF (A Laboratory On The Open Fields), une recherche autour des possibilit&#233;s de cr&#233;ation artistique en plein air. C'est dans ce cadre qu'OKNO invite l'artiste num&#233;rique Shu Lea Cheang pour une r&#233;sidence autour de Seeds Underground.&lt;br class='autobr' /&gt;
&#194; &lt;br class='autobr' /&gt;
Depuis les ann&#233;es 90 une &#233;norme quantit&#233; de terrains d'agriculture sont&#194; occup&#233;s par des organismes g&#233;n&#233;tiquement modifi&#233;s. En mai dernier, la&#194; Commission Europ&#233;enne a approuv&#233; une nouvelle r&#233;glementation qui contr&#244;le la circulation des graines.&lt;/p&gt;
&lt;p&gt;Seeds Underground est un projet artistique qui vise &#224; conscientiser les gens en les invitant &#224; &#233;changer des graines lors des rencontres festives. Les participants aident &#224; &#194; maintenir la biodiversit&#233; en semant ces graines auto-r&#233;colt&#233;es,&#194; fournies de leurs origines et leurs histoires, &#224; leur tour dans leur jardin et&#194; en enregistrant ce nouvel environnement dans une base de&#194; donn&#233;es en ligne.&lt;/p&gt;
&lt;p&gt;En octobre 2013 Shu Lea cl&#244;ture sa r&#233;sidence chez OKNO avec un&#194; atelier Seeds Underground et une &#233;change de graines dans&#194; le jardin de toiture OpenGreens.&lt;/p&gt;
&lt;p&gt;En tant qu'organisation pour et par les artistes, OKNO relie les&#194; nouveaux m&#233;dias &#224; l'&#233;cologie. Des processus artistiques bas&#233;s sur la&#194; collaboration, l'ind&#233;pendance et la transdisciplinarit&#233; g&#233;n&#232;rent de&#194; nouveaux mat&#233;riaux et approches.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#034;http://okno.be/&#034; class=&#034;spip_url spip_out auto&#034; rel=&#034;nofollow external&#034;&gt;http://okno.be/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://seedsunderground.net/" class="spip_out"&gt;http://seedsunderground.net/&lt;/a&gt;&lt;/div&gt;
		
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<item xml:lang="en">
		<title>Splinterfields 3/4: ALOTOF </title>
		<link>https://constantvzw.org/site/Splinterfields-3-4-ALOTOF.html</link>
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		<dc:date>2013-09-23T20:39:28Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>
		<dc:subject>Meeting</dc:subject>

		<description>
&lt;p&gt;The third encounter in the Splinterfields series is organised by OKNo. In 2013 OKNO launched ALOTOF (A Laboratory&#194; On&#194; The Open Fields), an international long-term experiment exploring&#194; the&#194; potential of open-air modes of creation. Within the scope of&#194; ALOTOF,&#194; OKNO has invited media artist Shu Lea Cheang for a residency&#194; focusing on&#194; Seeds Underground. &lt;br class='autobr' /&gt;
For the past two decades, vast areas of farmland have been colonized by&#194; &#194; genetically manipulated crops. This year in May the European (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;, 
&lt;a href="https://constantvzw.org/site/+-Meeting-+.html" rel="tag"&gt;Meeting&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;The third encounter in the Splinterfields series is organised by OKNo. In 2013 OKNO launched ALOTOF (A Laboratory&#194; On&#194; The Open Fields), an international long-term experiment exploring&#194; the&#194; potential of open-air modes of creation. Within the scope of&#194; ALOTOF,&#194; OKNO has invited media artist Shu Lea Cheang for a residency&#194; focusing on&#194; Seeds Underground.&lt;/p&gt;
&lt;p&gt;For the past two decades, vast areas of farmland have been colonized by&#194; &#194; genetically manipulated crops. This year in May the European Commission&#194; &#194; approved a new seed policy subjecting circulation to strict regulation.&#194; As an artistic project, Seeds Underground stages seed&#194; exchange parties&#194; as underground events to raise awareness about these&#194; concerning trends.&#194; By swapping homegrown seeds, transmitted by nature&#194; and fertile with&#194; traces of their origins and migration routes,&#194; participants can plant&#194; them in their own gardens, add them to a&#194; location-based online database, and strive to protect biodiversity in&#194; the process.&lt;/p&gt;
&lt;p&gt;In October 2013, Shu&#194; Lea's residency at OKNO will draw to a&#194; close with a Seeds Underground&#194; workshop and exchange party at the OpenGreens rooftop garden.&lt;/p&gt;
&lt;p&gt;OKNO is an artist-run organisation connecting new media and ecology.&#194; It&#194; approaches art and culture from a collaborative, DIY and post-disciplinary point of view, discovering new materials and aesthetics in the process.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#034;http://okno.be/&#034; class=&#034;spip_url spip_out auto&#034; rel=&#034;nofollow external&#034;&gt;http://okno.be/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://seedsunderground.net/" class="spip_out"&gt;http://seedsunderground.net/&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Splinterfields 2/4: Biochymickal Arts</title>
		<link>https://constantvzw.org/site/Splinterfields-2-4-Biochymickal-Arts,2019.html</link>
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		<dc:date>2013-08-22T22:15:41Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;La deuxi&#232;me rencontre dans la s&#233;rie de Splinterfields est organis&#233;e par FoAM, un laboratoire culturel qui r&#233;-imagine les futurs possibles dans les interstices de l'art, la science, la nature et la vie quotidienne. FoAM est une entit&#233; dynamique qui peut changer de forme ou d'&#233;chelle selon les besoins. Nous pouvons &#234;tre une organisation transdisciplinaire le matin, une famille proche au d&#233;jeuner, une facilit&#233; de formation l'apr&#232;s-midi, une bande joviale de philosophes le soir et un collectif (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;La deuxi&#232;me rencontre dans la s&#233;rie de Splinterfields est organis&#233;e par FoAM, un laboratoire culturel qui r&#233;-imagine les futurs possibles dans les interstices de l'art, &lt;br class='autobr' /&gt;
la science, la nature et la vie quotidienne. FoAM est une entit&#233; dynamique qui peut changer de forme ou d'&#233;chelle selon les besoins. Nous pouvons &#234;tre une organisation transdisciplinaire le matin, une famille proche au d&#233;jeuner, une facilit&#233; de formation l'apr&#232;s-midi, une bande joviale de philosophes le soir et un collectif de cr&#233;ateurs d&#233;vou&#233;s la nuit. &lt;br class='autobr' /&gt;
La plupart des activit&#233;s de FoAM ont lieu dans leurs studios &#8211; croisements de laboratoires, ateliers et salles de s&#233;jour. Ils sont organis&#233;s comme un r&#233;seau r&#233;parti concentr&#233; en Europe et Australasie avec des bases et points nodaux (gens, projets et organisations) autour du monde.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Biochymickal Arts&lt;/strong&gt; explore les arts technologiques &#233;mergeants &#224; travers le prisme des m&#233;tiers pr&#233;-industriels et des sciences contemporaines. Dans cet &lt;br class='autobr' /&gt;
atelier nous salissons nos mains au contact du bio-hacking en apprenant les principes essentiels de la biochimie et le m&#233;tier de la fermentation. &lt;br class='autobr' /&gt;
En tissant des concepts scientifiques abstraits et des exp&#233;riences pratiques, nous voulons mieux comprendre l'essentiel de nos instruments et techniques, revitaliser des m&#233;tiers oubli&#233;s et faire l'exp&#233;rience visc&#233;rale de l'interconnectivit&#233; sous-jacente des arts, sciences et technologies.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://fo.am/biochymickal-arts/" class="spip_out"&gt;http://fo.am/biochymickal-arts/&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Splinterfields 2/4: Biochymickal Arts</title>
		<link>https://constantvzw.org/site/Splinterfields-2-4-Biochymickal-Arts,2017.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Splinterfields-2-4-Biochymickal-Arts,2017.html</guid>
		<dc:date>2013-08-22T22:12:56Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;The second encounter in the series of Splinterfields is organised by FoAM, a cultural laboratory reimagining possible futures at the interstices of art, science, nature and everyday life. FoAM is a dynamic entity that can change shape and scale as required. We can be a transdisciplinary organisation in the morning, a tightly-knit family at lunchtime, a learning facility in the afternoon, a loose bunch of philosophers in the evening and a dedicated designers' collective by night. Most of (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;The second encounter in the series of Splinterfields is organised by FoAM, a cultural laboratory reimagining possible futures at the interstices of art, science, nature and everyday life. FoAM is a dynamic entity that can change shape and scale as required. We can be a transdisciplinary organisation in the morning, a tightly-knit family at lunchtime, a learning facility in the afternoon, a loose bunch of philosophers in the evening and a dedicated designers' collective by night. Most of FoAM's activities happen in our studios &#8211; hybrids that meld together laboratories, ateliers and living rooms. We are organised as a distributed network concentrated in Europe and Australasia, with bases and nodes (people, projects and organisations) spread across the globe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Biochymickal Arts&lt;/strong&gt; explores emerging technological arts through the lens of preindustrial crafts and contemporary sciences. In this workshop we get our hands dirty with bio-hacking as we learn the fundamentals of biochemistry and the craft of fermentation. By entangling abstract scientific concepts with hands-on experiments, we aim to better grasp the basics of our tools and techniques, breathe new life into forgotten crafts, and viscerally experience the underlying interconnectedness of the arts, sciences and technologies.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://fo.am/biochymickal-arts/" class="spip_out"&gt;http://fo.am/biochymickal-arts/&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Splinterfields 1/4: Default</title>
		<link>https://constantvzw.org/site/Splinterfields-1-4-Default,2002.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Splinterfields-1-4-Default,2002.html</guid>
		<dc:date>2013-08-02T15:24:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>
		<dc:subject>Encounter</dc:subject>
		<dc:subject>Trip</dc:subject>

		<description>
&lt;p&gt;La premi&#232;re rencontre dans la s&#233;rie de Splinterfields est organis&#233;e par nadine, une organisation artistique qui remet constamment en question sa mani&#232;re de fonctionner afin de r&#233;pondre aux pratiques des artistes actuels. nadine propose diff&#233;rents cadres dans lesquels des artistes et collectifs sont invit&#233;s &#224; travailler. &lt;br class='autobr' /&gt;
Ces formats de recherche sont actuellement li&#233;s au territoire et &#224; la performance, et prennent la forme de projets sp&#233;cifiques, de workshops pour artistes, de r&#233;sidences (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;, 
&lt;a href="https://constantvzw.org/site/+-Encounter-+.html" rel="tag"&gt;Encounter&lt;/a&gt;, 
&lt;a href="https://constantvzw.org/site/+-Trip-+.html" rel="tag"&gt;Trip&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;La premi&#232;re rencontre dans la s&#233;rie de Splinterfields est organis&#233;e par nadine, une organisation artistique qui remet constamment en question sa mani&#232;re de fonctionner afin de r&#233;pondre aux pratiques des artistes actuels. nadine propose diff&#233;rents cadres dans lesquels des artistes et collectifs sont invit&#233;s &#224; travailler. &lt;br class='autobr' /&gt;
Ces formats de recherche sont actuellement li&#233;s au territoire et &#224; la performance, et prennent la forme de projets sp&#233;cifiques, de workshops pour artistes, de r&#233;sidences site sp&#233;cifique et de pr&#233;sentations publiques.&lt;/p&gt;
&lt;p&gt;Default est une ligne droite, un pli d'une carte du r&#233;seau ferroviaire europ&#233;en. Le pli cr&#233;e la direction et d&#233;finit le territoire visit&#233; par des pionniers utilisant le soleil, le vent et leur corps comme source d'&#233;nergie et moyen de transport. Cette caravane &lt;br class='autobr' /&gt;
artistique aiguise et affermit une culture de d&#233;placement et des technologies nomades. Les artistes, designers, technologistes et collectionneurs prenant part au voyage travaillent &#224; leurs recherches respectives tout en se d&#233;pla&#231;ant &#224; v&#233;lo &#224; travers l'Europe, depuis le nord de l'Irlande jusqu'au sud du Portugal.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://nadine.be/project/peregrini/default-1-more-information" class="spip_out"&gt;http://nadine.be/project/peregrini/...&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Splinterfields 1/4: Default</title>
		<link>https://constantvzw.org/site/Splinterfields-1-4-Default.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Splinterfields-1-4-Default.html</guid>
		<dc:date>2013-08-02T15:22:01Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>
		<dc:subject>Encounter</dc:subject>
		<dc:subject>Trip</dc:subject>

		<description>
&lt;p&gt;The first encounter in the series of Splinterfields is organised by nadine, an artistic organisation that moves within constantly changing artistic practices through continuous questioning of itself. nadine encourages alternative research formats for artists and collectives to work with. Currently these formats have been evolving into projects about mobility and performance, workshops for artists, site-specific residencies and public presentations. &lt;br class='autobr' /&gt;
Default is a straight line, a fold in (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;, 
&lt;a href="https://constantvzw.org/site/+-Encounter-+.html" rel="tag"&gt;Encounter&lt;/a&gt;, 
&lt;a href="https://constantvzw.org/site/+-Trip-+.html" rel="tag"&gt;Trip&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;The first encounter in the series of Splinterfields is organised by nadine, an artistic organisation that moves within constantly changing artistic practices through continuous questioning of itself. nadine encourages alternative research formats for artists and collectives to work with. Currently these formats have been evolving into projects about mobility and performance, workshops for artists, site-specific residencies and public presentations.&lt;/p&gt;
&lt;p&gt;Default is a straight line, a fold in a map of Europe. The fold determines the direction and defines the journey of discovery for several pioneering bikers, who are driven by sun, wind and muscles. The artistic caravan explores and accentuates a new culture of travelling with nomadic technologies. Artists, designers, technologists and collectors are invited to pursue their artistic practice whilst travelling by bike through Europe from the north of Ireland to the south of Portugal.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://nadine.be/project/peregrini/default-1-more-information" class="spip_out"&gt;http://nadine.be/project/peregrini/...&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>Electromagnetickal Arts</title>
		<link>https://constantvzw.org/site/Electromagnetickal-Arts,1217.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Electromagnetickal-Arts,1217.html</guid>
		<dc:date>2010-12-04T14:31:08Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;La langue courante de cet atelier sera l'anglais, voil&#224; la raison pour laquelle le reste de cet article est en anglais. Merci de votre compr&#233;hension! &lt;br class='autobr' /&gt;
Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping &lt;br class='autobr' /&gt;
Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive. &lt;br class='autobr' /&gt;
Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb (&#8230;)&lt;/p&gt;


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&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

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&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;i&gt;La langue courante de cet atelier sera l'anglais, voil&#224; la raison pour laquelle le reste de cet article est en anglais. Merci de votre compr&#233;hension!&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive.&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb the bees' orientation and communication capabilities. To assist city bees with this issue, participants can work on an interference free foraging map.&lt;/p&gt;
&lt;p&gt;Detectors for both high and low electromagnetic frequencies can steer through gradients of signal intensity. Detailed contour maps can be constructed using DIY equipment during city walks, visualizing the situation across diverse city locales. Simple experiments provide insights into complex wave interactions; offering a view of &#034;spectral ecologies&#034; and their relation to visible architecture and habitats.&lt;/p&gt;
&lt;p&gt;Participants get an intro to the social behavior of honeybees, and their communication, hive structures and materials used in beekeeping, as well as work on construction plans and new designs for DIY tools for electromagnetic field visualizations during expeditions to the city of Brussels.&lt;/p&gt;
&lt;p&gt;Get inspired for a new series of Brussels postcards and an interference free foraging map for Brussels honeybees.&lt;/p&gt;
&lt;p&gt;Aims of the workshop: understanding electromagnetic waves and gaining a feel for their complex interactions in the city and their impact on living systems. Exploring the possibility of making the &#034;invisible&#034; fields and their subtle changes over time and space both visible and audible. Exploration of electromagnetic fields in Brussels. Basic understanding of honeybees and working with beekeeping materials.&lt;/p&gt;
&lt;p&gt;Martin Howse and Christina Stadlbauer&lt;br class='autobr' /&gt;
Friday, 10th of December, 15:00-19:00&lt;br class='autobr' /&gt;
Saturday, 11th of December, 10:00-19:00&lt;br class='autobr' /&gt;
Sunday, 12th of December, 10:00-19:00&lt;br class='autobr' /&gt;
max 12 participants&lt;/p&gt;
&lt;p&gt;sign up with a paragraph on your intention at info@fo.am&lt;/p&gt;
&lt;p&gt;&#8212; -&lt;/p&gt;
&lt;p&gt;Splinter Fields is an initiative of Brussels based organizations active&lt;br class='autobr' /&gt;
within the fields of technological and media arts (Constant, FoAM, nadine&lt;br class='autobr' /&gt;
and OKNO) to foster collaborative, agile and flexible learning. The&lt;br class='autobr' /&gt;
programme of workshops, study-groups and field-tests is open to artists,&lt;br class='autobr' /&gt;
designers, technologists and other generalists curious to explore tools&lt;br class='autobr' /&gt;
and mindware for experiments in contemporary culture and daily life.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://www.fo.am/electromagnetics" class="spip_out"&gt;http://www.fo.am/electromagnetics&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="en">
		<title>Electromagnetickal Arts</title>
		<link>https://constantvzw.org/site/Electromagnetickal-Arts,1216.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Electromagnetickal-Arts,1216.html</guid>
		<dc:date>2010-12-04T14:28:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;De voertaal van deze workshop is Engels, daarom is onderstaande tekst ook enkel in het Engels. Met dank voor je begrip! &lt;br class='autobr' /&gt;
Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping &lt;br class='autobr' /&gt;
Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive. &lt;br class='autobr' /&gt;
Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb the bees' orientation and (&#8230;)&lt;/p&gt;


-
&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

/ 
&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;i&gt;De voertaal van deze workshop is Engels, daarom is onderstaande tekst ook enkel in het Engels. Met dank voor je begrip!&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive.&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb the bees' orientation and communication capabilities. To assist city bees with this issue, participants can work on an interference free foraging map.&lt;/p&gt;
&lt;p&gt;Detectors for both high and low electromagnetic frequencies can steer through gradients of signal intensity. Detailed contour maps can be constructed using DIY equipment during city walks, visualizing the situation across diverse city locales. Simple experiments provide insights into complex wave interactions; offering a view of &#034;spectral ecologies&#034; and their relation to visible architecture and habitats.&lt;/p&gt;
&lt;p&gt;Participants get an intro to the social behavior of honeybees, and their communication, hive structures and materials used in beekeeping, as well as work on construction plans and new designs for DIY tools for electromagnetic field visualizations during expeditions to the city of Brussels.&lt;/p&gt;
&lt;p&gt;Get inspired for a new series of Brussels postcards and an interference free foraging map for Brussels honeybees.&lt;/p&gt;
&lt;p&gt;Aims of the workshop: understanding electromagnetic waves and gaining a feel for their complex interactions in the city and their impact on living systems. Exploring the possibility of making the &#034;invisible&#034; fields and their subtle changes over time and space both visible and audible. Exploration of electromagnetic fields in Brussels. Basic understanding of honeybees and working with beekeeping materials.&lt;/p&gt;
&lt;p&gt;Martin Howse and Christina Stadlbauer&lt;br class='autobr' /&gt;
Friday, 10th of December, 15:00-19:00&lt;br class='autobr' /&gt;
Saturday, 11th of December, 10:00-19:00&lt;br class='autobr' /&gt;
Sunday, 12th of December, 10:00-19:00&lt;br class='autobr' /&gt;
max 12 participants&lt;/p&gt;
&lt;p&gt;sign up with a paragraph on your intention at info@fo.am&lt;/p&gt;
&lt;p&gt;&#8212; -&lt;/p&gt;
&lt;p&gt;Splinter Fields is an initiative of Brussels based organizations active&lt;br class='autobr' /&gt;
within the fields of technological and media arts (Constant, FoAM, nadine&lt;br class='autobr' /&gt;
and OKNO) to foster collaborative, agile and flexible learning. The&lt;br class='autobr' /&gt;
programme of workshops, study-groups and field-tests is open to artists,&lt;br class='autobr' /&gt;
designers, technologists and other generalists curious to explore tools&lt;br class='autobr' /&gt;
and mindware for experiments in contemporary culture and daily life.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://www.fo.am/electromagnetics" class="spip_out"&gt;http://www.fo.am/electromagnetics&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>Electromagnetickal Arts</title>
		<link>https://constantvzw.org/site/Electromagnetickal-Arts.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/Electromagnetickal-Arts.html</guid>
		<dc:date>2010-12-04T14:28:53Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping &lt;br class='autobr' /&gt;
Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive. &lt;br class='autobr' /&gt;
Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb the bees' orientation and communication capabilities. To assist city bees with this issue, participants can work on an interference free foraging map. (&#8230;)&lt;/p&gt;


-
&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

/ 
&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;strong&gt;Interference-free Foraging Mobility in Brussels on Electromagnetism, Psychogeophysics and Urban Beekeeping&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Electromagnetic fields can have adverse effects on living organisms - honeybees are especially sensitive.&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Although urban environments provide beneficial habitats for bee colonies, the electromagnetic field concentrations can disturb the bees' orientation and communication capabilities. To assist city bees with this issue, participants can work on an interference free foraging map.&lt;/p&gt;
&lt;p&gt;Detectors for both high and low electromagnetic frequencies can steer through gradients of signal intensity. Detailed contour maps can be constructed using DIY equipment during city walks, visualizing the situation across diverse city locales. Simple experiments provide insights into complex wave interactions; offering a view of &#034;spectral ecologies&#034; and their relation to visible architecture and habitats.&lt;/p&gt;
&lt;p&gt;Participants get an intro to the social behavior of honeybees, and their communication, hive structures and materials used in beekeeping, as well as work on construction plans and new designs for DIY tools for electromagnetic field visualizations during expeditions to the city of Brussels.&lt;/p&gt;
&lt;p&gt;Get inspired for a new series of Brussels postcards and an interference free foraging map for Brussels honeybees.&lt;/p&gt;
&lt;p&gt;Aims of the workshop: understanding electromagnetic waves and gaining a feel for their complex interactions in the city and their impact on living systems. Exploring the possibility of making the &#034;invisible&#034; fields and their subtle changes over time and space both visible and audible. Exploration of electromagnetic fields in Brussels. Basic understanding of honeybees and working with beekeeping materials.&lt;/p&gt;
&lt;p&gt;Martin Howse and Christina Stadlbauer&lt;br class='autobr' /&gt;
Friday, 10th of December, 15:00-19:00&lt;br class='autobr' /&gt;
Saturday, 11th of December, 10:00-19:00&lt;br class='autobr' /&gt;
Sunday, 12th of December, 10:00-19:00&lt;br class='autobr' /&gt;
max 12 participants&lt;/p&gt;
&lt;p&gt;sign up with a paragraph on your intention at info@fo.am&lt;/p&gt;
&lt;p&gt;&#8212; -&lt;/p&gt;
&lt;p&gt;Splinter Fields is an initiative of Brussels based organizations active&lt;br class='autobr' /&gt;
within the fields of technological and media arts (Constant, FoAM, nadine&lt;br class='autobr' /&gt;
and OKNO) to foster collaborative, agile and flexible learning. The&lt;br class='autobr' /&gt;
programme of workshops, study-groups and field-tests is open to artists,&lt;br class='autobr' /&gt;
designers, technologists and other generalists curious to explore tools&lt;br class='autobr' /&gt;
and mindware for experiments in contemporary culture and daily life.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="http://www.fo.am/electromagnetics" class="spip_out"&gt;http://www.fo.am/electromagnetics&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="en">
		<title>re/toucheren</title>
		<link>https://constantvzw.org/site/re-toucheren.html</link>
		<guid isPermaLink="true">https://constantvzw.org/site/re-toucheren.html</guid>
		<dc:date>2010-12-04T09:42:51Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>An</dc:creator>


		<dc:subject>Workshop</dc:subject>

		<description>
&lt;p&gt;In het weekend van 17 december onderzoeken we de kunst van het herstellen. De focus ligt op textiel en kleren. We bekijken hoe iets is geweven, gestikt, we onderzoeken de verschillende naden en lagen en hoe die structuren verslijten, loskomen en scheuren wanneer ze een lichaam in zich dragen. &lt;br class='autobr' /&gt;
Vrijdag van 14 tot 17u toont Abla ons hoe zij werkt. Abla werkt als vrijwilligster in het herstel- en retoucheer atelier van de Vaartkapoen (http://www.vaartkapoen.be/socecnaai.htm) &lt;br class='autobr' /&gt;
Tijdens het (&#8230;)&lt;/p&gt;


-
&lt;a href="https://constantvzw.org/site/-Splinterfields-.html" rel="directory"&gt;Splinterfields&lt;/a&gt;

/ 
&lt;a href="https://constantvzw.org/site/+-Workshop-+.html" rel="tag"&gt;Workshop&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_chapo'&gt;&lt;p&gt;In het weekend van 17 december onderzoeken we de kunst van het herstellen. De focus ligt op textiel en kleren. We bekijken hoe iets is geweven, gestikt, we onderzoeken de verschillende naden en lagen en hoe die structuren verslijten, loskomen en scheuren wanneer ze een lichaam in zich dragen.&lt;/p&gt;
&lt;p&gt;Vrijdag van 14 tot 17u toont Abla ons hoe zij werkt. Abla werkt als vrijwilligster in het herstel- en retoucheer atelier van de Vaartkapoen (&lt;a href=&#034;http://www.vaartkapoen.be/socecnaai.htm&#034; class=&#034;spip_url spip_out auto&#034; rel=&#034;nofollow external&#034;&gt;http://www.vaartkapoen.be/socecnaai.htm&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Tijdens het weekend kijken we naar dragen en gedragen stukken, delen verhalen, tonen beelden...&lt;/p&gt;
&lt;p&gt;Meer info over deze workshop en inschrijven kan via wendy [attt] constantvzw.org&lt;/p&gt;&lt;/div&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Iets herstellen vraagt begrip van het voorwerp dat je wil herstellen. &lt;br class='autobr' /&gt;
Hoe ver ga je in het herstellen van een kledingstuk?&lt;br class='autobr' /&gt;
Welke delen van kleding zijn fragiel?&lt;br class='autobr' /&gt;
Waar verslijt of scheurt een kledingstuk?&lt;br class='autobr' /&gt;
Wat is de relatie tussen je lichaam en je activiteit?&lt;/p&gt;
&lt;p&gt;Iets herstellen verlengt het leven van het gefabriceerde voorwerp, iets dat niet meteen wordt aangemoedigd in tijden van snelle consumptie. &lt;br class='autobr' /&gt;
Deze workshop is bedoeld om hersteltechnieken van elkaar te leren, samenkomen is een manier om kennis door te geven. De technieken werde vroeger eerder aangeleerd in een familiale context, want kleding was zeldzamer en daarom ook bijzonder. &lt;br class='autobr' /&gt;
We willen hierover praten en samenwerken.&lt;br class='autobr' /&gt;
Breng je favoriete herstelstukken.&lt;br class='autobr' /&gt;
Hoe leerde jij iets te herstellen?&lt;br class='autobr' /&gt;
Heb je favoriete methodes?&lt;br class='autobr' /&gt;
Leerde je specifieke technieken voor specifieke kledingsstukken?&lt;/p&gt;
&lt;p&gt;&#8212; -&lt;br class='autobr' /&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/SplinterFields_Rosalie_on_Re_Touches_and_knitting_machine.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/SplinterFields_Rosalie_on_Re_Touches_and_remaillage.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinter_Fields_Re_Touches_Maccloud_Zicmuse_pants_story.ogg&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinterfields_Abla_on_Re_Touches.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinterfields_Eugenie_on_Re_Touches.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinterfields_L_Aiguille_Magique.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinterfields_Nathalie_on_Re_Touches.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt; &lt;video width=&#034;480&#034; controls&gt;&lt;br class='autobr' /&gt; &lt;source src=&#034;http://video.constantvzw.org/Splinter_fields/Splinterfields_Rosalie_on_Re_Touches_and_retissage.ogv&#034; type=&#034;video/ogg&#034;&gt;&lt;br class='autobr' /&gt; Your browser does not support the video tag.&lt;br class='autobr' /&gt;
&lt;/video&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Splinter Fields is an initiative of Brussels based organizations active&lt;br class='autobr' /&gt;
within the fields of technological and media arts (Constant, FoAM, nadine&lt;br class='autobr' /&gt;
and OKNO) to foster collaborative, agile and flexible learning. The&lt;br class='autobr' /&gt;
programme of workshops, study-groups and field-tests is open to artists,&lt;br class='autobr' /&gt;
designers, technologists and other generalists curious to explore tools&lt;br class='autobr' /&gt;
and mindware for experiments in contemporary culture and daily life.&lt;/i&gt;&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;View online : &lt;a href="https://secure.wikimedia.org/wikipedia/en/wiki/Wear_and_tear" class="spip_out"&gt;https://secure.wikimedia.org/wikipe...&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

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