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Festival Mondial des Cinémas Sauvages
APPEL A FILMS SAUVAGES ! jusqu’au 30 mars 2017 Inscriptions des films en ligne : http://www.festival-cinemas-sauvages.net/fr/formulaire/ Le Festival Mondial des Cinémas Sauvages veut montrer des films libres dans leurs manières de se fabriquer, libres dans leurs manières d’être diffusés. Pas de (...)
RADIO BOSNIE #20 - SPECIAL REMIX
Avec Jérémie Boyard, Digi†al Carnaval et Colin Ponthot du projet Bumperbreak qui ont remixé en musique les mots de la base de données de Parlez-vous Saint-Gillois ? pour le festival Supermouche-Supervlieg. Réécoutez: Radio Bosnie #20 - REMIX http://bumperbreak.com/ (...)

Towards

Towards a subjective collective cartography

40 more maps that explain the world
9 February 2014, by Laurence JenardBlog
Maps seemed to be everywhere in 2013, a trend I like to think we encouraged along with August's 40 maps that explain the world. Maps can be a remarkably powerful tool for understanding the world and how it works, but they show only what you ask them to. You might consider this, then, a (...)

Champagne

Nurse’s adventures in sound and sight

SNOW MIX
11 December 2016, by Administrator+nurse+ mix

Objects in Common Worksession – RAW and unprocessed
12 April 2016, by admin
In collaboration with Medialab Prado Constant organised the worksession ’Objects in Common’ as the final event in a series that started in 2015 with ’Funcionamientos: Objects in Common and Diverse Bodies’ followed by ’Interactivos? Material Cultures in the digital age’ and ’Grigri Pixel: makers and (...)
A Pre-emptive History of the Google Cultural Institute
5 December 2016, by Submondo2
← Older revision Revision as of 22:44, 5 December 2016 Line 46: Line 46: The dematerialisation of public collections using infrastructure and services bankrolled by private actors like the GCI needs to be questioned and analyzed further in the context of heterotopic institutions, to understand (...)
The Clouds are Not an Option
4 January, by Femke Snelting4. And more...
Data-driven systems do not arrive from nowhere, into the world like magic. Like all technologies their development and deployment follows particular historical trajectories and continuities which are influenced by larger forces. In contrast, most of the research on 'social impact' has drawn (...)
Belgica-Belgika
3 January 2015, by OSPAlfphabet, Belgica-Belgika, OSP-DIN, Wdroge
Stroke fonts with no contrast and capital letters only based on diverse pseudo-generic elements for multi-usages.
R-G-B. Peter Campus
29 April, by Nicolas MalevéSnippets, Vision, color space, eye, filters, nervous system, retina
If we are to avoid the problem of creating a visual system that will reduce the capacity of the eye, it is necessary to disassociate the video camera from the eye and make it an extension of the room. Peter Campus Video as a Function of Reality, (...)

e-traces > informations

Deze site wordt in het kader van het project e-traces verwezenlijkt. Het presenteert een geheel van geoogste artikelen over verschillende plaatsen van informatie betreffende de beweging die naar (...)

Mark Zuckerberg’s surprise visit to Ohio family boosts rumor of political run
30 April, by michel, , ,
Moore family of Newton Falls, Democrats who voted for Trump, hosted the Facebook CEO who is visiting all 50 states amid speculation of a run for office An Ohio family said they learned just 20 minutes before dinner on Friday evening that a planned mystery guest would be the Facebook founder (...)
Newton Diaries
28 November 2012, by michael
In 1993, Apple released the Newton MessagePad, the first so-called “Personal Digital Assistant”. A kind of forerunner to today’s smart/i phones, the device worked as a kind of virtual notepad, allowing free-form entry of both text and drawing mixed together … Continue reading (...)

Paramoulipist

WORK IN PROGRESS: a tool for sharing literature and digital narratives

A story from the Algorithmic Forest
This image gives an overview of existing techniques for text analysis. By drawing them as a forest, it becomes clear how their application resembles the ecological succession of a forest. In the Brussels process of Forêt de Soignes/Zoniënwoud, the forest came to existence thanks to pioneer (...)
Neutrinet + FemDIYserv
23 May 2015, by agnezProgramme
Neutrinet, where are the women ? + FemDIYserv @ nouvel atelier d'OSP - Programme
HTML sauce cocktail, sauce à part
15 February, by OSPNews
PREFACE Ce texte a été initialement écrit pour la revue Back Office. Pour des raisons de format, il n’y sera pas publié, mais nous sommes heureux de le partager ici avec vous dans sa version longue. HTML2PRINT SANS SAUCE Depuis sa création en 2006, Open Source Publishing dessine des mises en page et code avec des logiciels […]
wheel in a wheel
16 April 2014, by concentriccityUncategorized
A soundscape composition / A landscape video choreography. Experiencing dialogue with the environment passing through by cycling. Relying on our perception and synchronizing with the flow....
Putting the L in nouvel
Gare du Nord, 1000 Brussels Renovation of the main hall is in full progress. Temporary signage is pointing travelers the way to the new entrance. An unfortunate translation mistake needed to be corrected on all posters. It became an adventure in individual letter placing and spacing.

Routes+Routines

A resource book on public presence, representation, relations, routes and routines.

Koto, angisa, odo interview
19 March, by peteraudio, Meta language, Suriname
Interview met /with Christine van Russel-Henar Christine van Russel-Henar is the driving force behind the Koto museum in Paramaribo. I spoke with her about the way language, oral culture and traditional Surinamese wear are connected. The interview is in Dutch. Below you will find a (...)
On reparations for colonial damage III – French actuality
1 March, by antjeUncategorized, Reparations
Discussions in France are rising high as the center-right wing candidate Emmanuel Macron, traveling in Algeria, admitted that Colonialism was a crime. The reactions show that France, just like many European countries, is not ready with the thematic. Much more will have to be said and done.I put (...)